Currently, I am using Panasonic Lumix Micro Four Thirds camera bodies using mostly Panasonic lenses with a couple of Olympus lenses. How did I get to this configuration? Wait a minute, did you just doze off? Well, go ahead and sleep while I explain.
In film days, my first SLRs were Minolta and I loved them. Eventually I moved on to Canon. I have been in and out of photography many times and the last time I got back in was around eight years ago. At that time, I decided I wanted to go with a somewhat smaller DSLR so I took a look at Olympus 4/3 cameras. I had always admired the Olympus OM series and their compactness; the 4/3 Olympus cameras looked like a fine digital follow-on. My first purchase was an Olympus E-410 with two kit lenses.
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Olympus E-410 |
Six months later I moved up to an Olympus E-520 to get more features, most notably, in-body image stabilization. Shortly after the E-520, I purchased one of my favorite lenses of all time, the Olympus Zuiko 12-60mm f2.8-4.0 Digital ED SWD Lens. This was my "goto" lens for several years.
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Olympus E-520 |
After using the E-520 for over three years I was ready to move up to the next range of Olympus cameras (those with two digits in the name instead of three). I picked up a used Olympus E-30 from an online pawn shop and now I had my first "serious" 4/3 camera. It was half again as big as the E-520, had an LCD readout on the top for all the important settings, two wheels for adjusting those settings, a fully articulating LCD screen; a real big boy's camera.
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Olympus E-30 |
While I was enjoying my E-30, I had been reading a lot about mirrorless cameras, in particular, micro four thirds (MFT) from both Olympus and Panasonic. About six months after buying the E-30, I decided to give MFT a try while still holding onto my E-30 in case I didn't like it. The Panasonic Lumix G3 had just come out and the price was reasonable so I ordered one from Amazon. I liked the G3 but thought it was a little too simple for my use. It also felt very plasticky. And then the Olympus OM-D E-M5 was announced and it had some of the best reviews I had ever seen, particularly for a mirrorless camera. It seemed like a game-changing camera so I ordered one along with everyone else (I had to wait quite awhile before it actually arrived).
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Panasonic Lumix DMC G3 |
The E-M5 confirmed me as a micro four thirds enthusiast. I really liked the image quality and the feature set of the camera. The E-30 and all of my accumulated 4/3 lenses went on eBay to find new homes. I took the E-M5 to Europe for an extended visit and it performed admirably. However, I did have some nagging ergonomic issues where I was constantly pushing some buttons unintentionally. Six months pass (are you sensing a pattern here?). I wanted to expand my video capability and had read a lot about how good the Panasonic GH2 was with hacked firmware. The G3, which I hadn't been using much, went to eBay and a new GH2 arrived on my doorstep.
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Olympus OM-D E-M5 |
Here I am going to break the six month new camera cycle. About the time the GH2 arrived, the GH3 was announced, so the two-month old GH2 was given to my son and I moved up. The GH3 had so many nice features compared to the GH2; the ergonomics were better (for me) and HD at 60 fps would prove to be useful, as well. Here is were I mentally started to separate from Olympus. The GH3 was just easier to use than the E-M5. With a good lens, the IQ results were similar between the two for stills and the GH3 was just plain superior at video.
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Panasonic Lumix DMC GH2 |
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Panasonic Lumix DMC GH3 |
I used the GH3 and the E-M5 for most of 2013 and 2014. I tried to think of the E-M5 as my "stills" camera and the GH3 as my "video" camera, but I noticed that I reached for the GH3 far more often than the E-M5, regardless of the type of shooting. It just felt better in my hands. Toward the end of the year, the Olympus OM-D E-M1 came out and I had to have one. Bye bye, E-M5. With the 12-40mm f2.8 Pro lens, the E-M1 was a superior stills camera but I still used the GH3 a lot.
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Olympus OM-D E-M1 |
About this time, I started to have a serious talk with myself regarding the use of multiple camera brands when I clearly had a preference. I guess I felt bad about abandoning Olympus after so many happy years together. But abandon them I did. I sold my almost new E-M1 and all but two of my Olympus lenses. I think Olympus continuously trying for the "retro" look has been a drag on their ergonomics. They still produce great cameras and lenses but I'm not sure how in touch they are with the marketplace. And the OM-D line is named, in order of capability, E-M10, E-M5, and E-M1. Talk about painting themselves into a corner. Any successor to the E-M1 is going to cause a lot of model confusion (E-M0, anyone?).
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Panasonic Lumix DMC GH4 |
So, no more Olympus cameras but what about my insatiable and maybe irrational appetite for new cameras? Lucky for me, Panasonic is cranking out lots of new models. Recently, I moved from the GH3 to the GH4 (I'll write a future post on why 4K is important now). I also have a GX7 and a GM5. The GX7 is a super travel camera and the GM5 is, well, just cute. One of these days, Panasonic is going to figure out 5-axis IBIS and it might be game over.
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Panasonic Lumix DMC GX7 |
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Panasonic Lumix DMC GM5 |
An interesting, if somewhat costly journey! However, life is too short to not enjoy good things along the way.
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